The movie follows Ryo Saeba (Ryohei Suzuki), a 'sweeper' working in Tokyo's criminal underworld. After the mysterious death of his friend and colleague Hideyuki (Masanobu Andô), he reluctantly teams up with Hideyuki's sister Kaori (Misato Morita) to investigate – but the two don't quite see eye to eye. A prospective second Trump term presages obsessive score-settling at home and abject appeasement abroad.
Film
The franchise spawned by this James Wan movie is now among the most powerful and popular in all of horror. We might be stretching the definition of “haunted house movie“ here a little bit, as the entity in Sinister is more demon than ghost. But director/co-writer Scott Derrickson’s film is so good that we’re ignoring that and getting right to the good stuff. Unbelievably tense and full of great, gruesome detail, Sinister is the kind of haunted house movie that will make you think twice about every corner of your own home, especially if you just moved there. And if you like found footage, the home movie segments are still chilling, even if you’ve seen them 100 times.
A Tale of Two Sisters (
There’s something eternal about the idea, so it’s no wonder that hundreds upon hundreds of filmmakers have channeled it for dark visions of their own. There are, of course, dozens of classics in the genre on the big-screen, but if you’re looking for the very best to dive into this Halloween season, these are the ones you definitely won’t want to miss. Proven to be the scariest film of all time by actual scientists, Sinister is about a true crime novelist (Ethan Hawke) moving into the house of a murdered family and finding more horrors than he bargained for.
House (film series)
The films are mostly comedic, have micro budgets and have little continuity with the original. There are at least 45 sequels to Stuart Rosenberg’s 1979 horror drama about a family under siege by supernatural forces inside their home in suburban Amityville, Long Island. That’s more than the “Star Wars,” “Fast and Furious” and “X-Men” franchises combined. Thomas Wolfe wrote You Can't Go Home Again, but Laura (Belén Rueda) doesn't heed the novelist's advice.
This film is another dramatized adaptation of a paranormal investigation by the famed supernatural detectives, Ed and Lorraine Warren. Sara and Peter Cambpell are forced to move to Connecticut after their son Matt is diagnosed with cancer. By being close to his doctors, the family is hopeful that Matt’s recovery will be smoother—it’s anything but. Once they move into their new home, Matt begins to experience paranormal activity, prompting Sara to hire a priest. But it turns out the priest did more harm than good, and the whole family is now in danger. Guillermo del Toro is one of horror’s great visual stylists, but even by his standards, Crimson Peak is truly stunning.
Fall Feature Film Flashback: House (1977) - The Trail - The Puget Sound Trail
Fall Feature Film Flashback: House ( - The Trail.
Posted: Thu, 09 Nov 2023 08:00:00 GMT [source]
Ghostwatch (
Today, this movie’s still gloriously goofy even without that in-theater touch. Luka Glavas is a professional writer for Fiction Horizon from Osijek, Croatia. He studied and got a degree in Media Culture at the Academy of Arts and Culture in Osijek, Croatia, specializing in creative writing, journalism, and filmmaking. He got his degree on the subject of Quentin Tarantino's work in light of the quotation theory. Before getting into professional writing, Luka wrote short stories and several screenplays but started his career as a journalist for several prominent Croatian sports websites. His love for cinematography blossomed even more after working as a student in a five-star movie theater in Osijek.
The Innocents ( 97%
The overall plot of the individual movies center around the supernatural events that take place at haunted houses, and detail the actions of the protagonist families that live in them. Under the Skin director Jonathan Glazer's haunting Holocaust drama is now streaming on Max. Christian Friedel plays Rudolf Höss, the commandant of Auschwitz concentration camp, while Sandra Hüller is his wife Hedwig. The film follows the mundanities of their family's domestic life in an idyllic house in the shadow of the camp and has been praised for its portrayal of the banality of evil. The movie was nominated for five Oscars and won Best International Feature Film and Best Sound. The character of John Russell is a music composer, but Scott wasn't musically inclined.
Five years ago, a Halloween haunted house tour attraction opened its doors—only for something to go terribly wrong on opening night and claim the lives of 15 attendees. The crew examines multiple leads and rumors, which all indicate some sort of paranormal phenomena at play. Soon, they meet Sara Havel, the only surviving member of the incident, who agrees to an interview. Not only does she speak with them, she also provides chilling tapes shot by different staff members on the day of the tragedy. What’s on the tapes reveals what truly happened during the Hell House opening, and boy is it eerie. Whether it’s the troubled spirits of an ancient burial ground or demons from the pit of hell, these haunted house movies prove that home is where the horror is.
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Filmmaker Kim Jee-woon's heartbreaking horror film gives audiences valid reasons to avoid adultery. Su-mi (Im Soo-jung) returns home from a mental facility after her mother dies, but there's a strange family dynamic between her father and stepmother, Eun-joo (Yum Jung-ah). Su-mi is also very protective of her younger sister, Su-yeon (Moon Geun-young). Welcome to a new episode of The Best Horror Movie You Never Saw, where we take a look at some of the horror films of yore that don't get the love we think they deserve. This week we take a look at Steve Miner's House (WATCH OR OWN IT HERE) starring William Katt, George Wendt, Kay Lenz and Richard Moll.
After his death, the McCarthy family moves into a new home and try to move on from the horrific events. Despite this, evidence begins to come form, which calls into question McCarthy's association to the victims of the murderer. As an investigation ensues, strange occurrences take place and terrify the family within their home. They all begin to believe that "The Cleaver" is tormenting them from beyond the grave, as he promised in his final moments. A parapsychologist named Peter Campbell that the family hires, proports that the killer must have made a deal with the devil prior to his execution, allowing his spirit to return and haunt the family.
It’s got a spooky old house, a cast of beloved character actors led by Ray Milland, a slow-burn supernatural narrative that moves at its own leisurely pace, and of course old-school ghosts. It might move a little slowly for modern audiences, but if you’re patient with it, it’s the kind of film that will wrap you up in its own creepy comforts. In 2019, Martin Scorsese named The Uninvited one of the scariest movies of all time; “the tone is very delicate, and the sense of fear is woven into the setting [and] the gentility of the characters,“ he wrote for The Daily Beast. Yes, we know horror master Stephen King is less than thrilled with Stanley Kubrick's adaptation of his chilling tale. Sorry, Stephen—horror obsessives the world over agree that The Shining is one of the creepiest haunted house films ever made. Jack Torrance hopes his new role as the winter caretaker of the Overlook Hotel will be good for his family and his sanity.
The Others also marked the final time Kidman worked with her then-husband, Tom Cruise (executive producer), prior to their divorce. The Daniel Radcliffe-led blockbuster is the most famous adaptation of The Woman In Black, but it isn’t the best. The story of solicitor Arthur Kidd traveling to a dead client’s house to sort her belongings is slow and uneasy, until it crescendos with one eye-bulging jump scare.
Hardcore horror fans may balk that it wasn’t bloodier, but Miner’s film often scores by going into wild directions and successfully adding slapstick to a somber horror movie premise. As far as the surreal touches go, none of this comes near the gonzo brilliance and disturbing visual dexterity of Nobuhiko Obayashi’s unrelated “Hausu” (1977). Yet, for an ’80s mainstream horror comedy, even the far more successful and slickly produced “Fright Night” (1985) played it safer in comparison. The new film was announced back in January 2023, with Sean S. Cunningham once again producing the piece. Jeremy Weiss and Jeff Locker came up with the story and pitched it to Cunningham, who liked it enough to decide to go into production. The first ‘House’ film is by far the best – not brilliant, per se, but the best of the bunch – and then quality kind of dwindles with each standalone sequel.
"Gramps", who was a treasure hunter was the keeper of an Aztec crystal skull that he discovered with his partner and friend-turned-enemy "Slim" Reeser. After examining some photographs and paperwork, they resolve to dig up the grave of his ancestor, believing that he had the ancient treasure buried with him. In one untypical, symbolic scene, the war-weary photojournalist played by Kirsten Dunst, all body armour and pursed lips, tries on a pretty dress in a downtown store insulated from the fighting. It is as if she, like America, is trying, fleetingly, to recover her humanity. Prepare, too, for a likely European rupture and trade war, a Nato split and an unravelling of 75 years of transatlantic collaboration.
(Don’t bother double-checking that, I’m pretty sure it’s pretty accurate.) The first two make sense as blood and dead conjure images tailor-made for horror, but the use of house takes a different approach. And that’s the genius of it as the idea of horror forcing its way in — or worse, already living within the walls — is inherently terrifying. The plot of the first film was based on an original story written by Fred Dekker, with subsequent movies being based on his initial concept.
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